CONFERENCE, SEMINARS, PANELS, DIALOGUE, WORKSHOPS
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1992 CONFERENCE & PANELS
STRATEGIES OF DISCOVERY, AFFIRMATION & EMPOWERMENT
Nkiru Nzegwa, assistant professor of Philosophy and Art History , State University of New York at Binghampton, has conceived and developed the following panel topics to focus on issues of uppermost concern in the lives of the international African artistic community.
These panels are intended to share individual experiences, stimulate further discussions surrounding issues pertinent to the collective, and to initiate a dialogue which can later be continued in other venues. Each theme addresses some aspect of the creative force as it relates to preservation, philosophy, empowerment, economics, politics and /or social change in the life of the artist of African descent.
Aesthetics Of The African World
This panel will discuss the nature of the concepts that define an African-based aesthetics. This may be achieved either by reference to indigenous African artistic heritages, or through identifying recurring aesthetic impulses in the arts of various African communities on both sides of the Atlantic.
Moderator: Russel Gordon (artist, Montreal)
Panel: Samella Lewis (painter, publisher, African-American and African-Brazilian art historian, California), Mary Jane C, Hewitt (Caribbean and African-American are historian, California), Rowland Abiodun (Yoruba art historian, Massachusetts), Chukwuma Azuonye (writer, folklorist, Pennsylvania)
African Legacy In 20th Century Art And World Civilization
African artistic works - both visual and musical - have been appropriated, and have shaped 20th century art and aesthetic. It is important to understand the ways in which the arts of African world have enriched world culture. Panelists will explore the stylistic and aesthetic impact of African art in visual art, jazz, fiber art, dance and film. in addition, the manifestations of African artistic symbols and/ or closely related symbols in diverse cultures will be explored.
Moderator: Maurice Bryan (gallery owner, curator and researcher on cross-cultural art symbolism, Ottawa)
Panel: Francoise Pfaff (writer, film critic, Washington DC), Terry Jenoure (musician/composer, Massachusetts), Jeff Donaldson (artists, art historian, Washington, DC), Ousmane Sembene (film director and writer, Senegal)
African American Aesthetics
This panel will address the two general questions of "what is African America aesthetics" and "what do they say"? Since the questions open up numerous lines of investigations, approaches that yield historical, thematic and textual insight are welcomed.
Moderator: Willis Bing Davis (artist, art historian, educator, Ohio)
Panel: Cornel West (writer on cultural politics of difference, theologian, Princeton U), Barry Gaither (curator, writer, Afro-American Museum, Boston), Floyd Coleman (artist, African-American art historian, Washington), Tony martin (author, editor, Harlem renaissance historian, Massachutsetts)
African Canadian Aesthetics
This panel will examine the role of art as political and cultural tool of empowerment in the Canadian experience. in defining African-Canadian aesthetics, it will be instructive to look at the impact of the national policy of Multiculturalism on African-Canadian art.
Moderator: Francine Gobia (artist, administrator, Edmonton), Jim Adams (painter, instructor, Vancouver), George Elliott Clarke (poet, Ottawa), Henry Bishops (curator, Halifax),
Métissage And Caribbean Creole Constructs
This panel will unravel the multiple cultural heritages of the Caribbean world and discuss the unique character of the art forms that define and shape Caribbean aesthetics.
Moderator: Austin Clarke (writer, novelist, Toronto)
Panel: Horace Campbell (Pan African scholar and activist, New York), Leroy Clark (artist, painter, Trinidad), Carlyle Matthew (painter, sculptor, Vancouver)
Art In Cultural And National Identity
In exploring the sorts of cultural issues that relate to art in various national contexts, the issue of access and exclusion will be examined. How does the politics of funding work to exclude/include peoples of African descent from the art establishment; how does it affect the form and mode of artistic representation? What should be the role of museums in breaching this barrier? The panel will discuss how to maximize diverse artistic support systems to highlight the aesthetics of the African world.
Moderator: Carolyn Maitland (artist, NCA President, New York)
Panel: Kinshasha Conwill (director, Studio Museum in Harlem, New York), Emmanuel Arinze (member UNESCO panel of museums, Nigeria), Mairuth Sarsfield (writer, United Nations liaison, Ottawa)
Icons And Images Of African Heritage In Art
The format of this panel will be that of a symposium. Here, artists will discuss their works and historians will discuss their works and historians will discuss the work of artists who critically use the icons and images of African heritage in their works. in examining this conscious mode of art production, the cultural and political statement being made by the artists with regard to the promotion of African aesthetics will be investigated.
Moderator: Napoleon Jones-Henderson (fiber and installation artist, Massachusetts)
Panel: Khadejha McCall (artist, Montreal), Kwaw Ansah (film director, Ghana),
Feminine Perspectives In Art
This panel explores issues of gender and cultural in art. Since the panelist's work in relation to, or through, feminine analysis, they will discuss the strategies surrounding their art production.
Moderator: June-Clark Greenberg (printmaker, Toronto)
Panel: Valerie Maynard (sculpture, printmaker, Maine), Chinwe Uwatse (painter, art administrator, Nigeria), Buseje Bailey (visual artist, Montreal), Mikelle S. Omari-Obayemi (artist, Afro-American & Afro-Brazilian art historian, Arizona)
Inspiration, Spirituality and Creativity
This panel explores the deeper meaning of creativity as it relates to art. The focus is on powers, symbolism and metaphors. artists will discuss the dominant impulses that have influenced their art and their creativity
Moderator: Rosalind Jeffries (sociologist, art historian)
Panel: Floyd Sandiford (artists, sculpture, Montreal), Varnette Honeywood (artists, California), Houston Conwill, Estella Conwill Mojozo & Joseph DePace (artists, installation and performance art New York)
Bridging Continents Embracing Cultures
The focus on this panel is on the model ties for establishing mutually beneficial professional and international linkages with artists and scholars of African descent. The objective is to explore the various modes of cooperation, and to examine ways forging international alliances with artists.
Moderator: Koko Amarteifo (Canada Council, Ottawa)
Panel: Carroll Parrot Blue (filmmaker, San Diego), Evangeline Montgomery (artist/curator, arts coordinator, Washington), Eric Robertson (curator, African Art gallery owner, New York), Stan Douglas (installation artist, Vancouver)
Faces And Phases: Yoruba Group & Individual Identity
Faces And Phases: Yoruba Group & Individual Identity
This panel will examine issues of material culture, identity, power and empowerment among Africans of Yoruba extraction in Africa and the Diaspora. It will look at questions of individual, pan-Yuroba and sub-ethnic identities from sociological, philosophical and historical perspectives. Panelists will inquire into facial and body marks for personal aesthetic and group identity.
Moderator: A.G. Adebayo (historian, Toronto),
Olufemi Vaughan (sociologist, New York), Femi Taiwo (philosopher, Illinois).
Lesbian And Gay Aesthetics
This panel will explore art as a political tool, a communication device and as a record of history in this movement. The ways in which heterosexism and racism deny access to the creation and legacy of African gay and lesbian aesthete will be examined.
Moderator: Dionne Brand (writer, Toronto), Faith Nolan (musician, song writer, Toronto), Robert Reid-Phair (film and video producer, California), Cheryl Duyne (videographer, Pennsylvania), Marva Pitchford-Jolly (artist, curator, teacher, Illinois).
The PEN Canada Panel
The PEN Canada Panel
This panel address critical issues now facing writers, publishers both nationally and internationally. Questions such as access to publishing, distribution and promotion and development of wider audience for writers from diverse racial and ethnic groups will be discussed.
Moderator: Cecil Foster (writer, journalist, Toronto)
Panel: Jack Mapanje (writer, Malawi/England), Marth Kumsa: (writer, Ethiopia), Dany Laferriere (writer, Montreal), Ademola Olugebfola (artist, publisher, New York)
The Business of Art
This panel focuses on legal and business issues as they relate to the art profession, Topics such as international border crossing and customs, income tax, marketing, and maintaining your own business will be discussed as it pertains to artist.
Moderator: John Harris (director, Harris Institute for the Arts, Canada/US)
Panel: David R. Paget (president International Arts Management, Canada), Brant Frayne (president Pramantha Pictures Inc., Canada), Bob Roper (vice president, Anthem Entertainment Group, US), Paul Sanderson (LLB attorney, Co-founder ALAS, Canada), Sandra Brooks (director, franchising, Manhattan York Financial, London), David Caudeiron (president, Black Music Assoc. of Canada & Cheers Music Pool, Canada)
How To Present Your Art Professionally
The Computer In Contemporary African Art: The works of Acha Debela
1997 CONFERENCE & PANEL
CELEBRATING AFRICAN IDENTITY
Ryerson University's vibrant urban campus in Toronto's downtown core (350 Victoria Street) hosts an unprecedented international gathering
Of artists and academics from around the world in a series of sessions that may challenge preconceptions about the African contemporary art scene and even introduce a whole new vocabulary of criticism in the field.
Director: Adrienne Shadd
African Canadian Art: The Historical Legacy
Thursday July 10, 9-12
This panel challenges the notion that art production by Blacks is a recent phenomenon through scholarly research.
Moderator: Sylvia Hamilton (filmmaker/writer, Halifax)
Panel: Norman Otis Richmond (Music, journalism, Toronto), Sharon Irving (curator, Toronto), Ruth Ann Shadd (educator, Windsor, George A. Arron's (archaeologist/anthropologist, Toronto)
Visionary Pan-African Through The Eyes Of The Artists For The 21 Century And Beyond
Thursday July 10, 1-3
This panel focuses on strategies for renewed Pan-Africanism through artistic impression.
Panel: Peter Hudson (Cultural critic, Vancouver), Animata Sow Fall (novelist, Senegal)
Beyond "Primitivism": Defossilizing Contemporary Africa Art
Thursday July 10, 3 - 5pm
Is there a contemporary African Art? "Traditional" versus "Modern" in what is shown at galleries and institutions.
Moderator: C.A. Malcolm Coker (art education, Concordia University,
Panel: Zab Moboungou (dancer/choreographer, Montreal), Fry Camara (museum curator, Mexico) Gyan Apraku (master wood carver, Ghana), Simon Njami (writer/ publisher, Revue Noire, France)
On The Highway or At The Curb: Art and the New Technologies
Friday, July 11, 9 - noon
How are artists incorporating "hyper/cyber" technologies?
Panel: Acha Debela (professor of Art computer graphics, North Carolina), Marva Jackson (writer/publicists, Toronto)
Identity, Loyalty and Belonging: Transgressing Blackness
Friday July 11, 1 - 3pm
How do difference and pluralism transgress standard notions of "Blackness"?
Panel: Gerry Atwell (musician/composer, Winnipeg), Patrick Bellegarde-Smith (scholar Haitian culture, Milwaukee), Artis Lane (sculpture, New Mexico), David Sealy (writer/philosopher, Ottawa)
The Medium is The Word
Friday, July 11, 3 - 5pm
Will the oral tradition continue to have an important influence on Africa-based aesthetics in the new millennium?
Moderator: Winston Smith (jazz radio host, bookstore opener, Toronto)
Panel: Chalkdust (calypsonian/ musicologist, Trinadad) M Nourbese Philip (author, Toronto)
Ooohwee Baby, You're So Good
Saturday, July 12, 9 - noon
Deconstructs notion of black sexuality in artistic production.
Panel: Lyle Ashton Harris (Visual Artists, Los Angeles), Gertrude Eden (PhD candidate, Literature, Montreal), Greg Tate (writer, Village Voice, musician, New York)
African Canadian Contemporary Art: Defining the Aesthetic
Saturday, July 11, 1-3pm
Is African Canadian art transformed by the Canadian Landscape?
Moderator: Nkiru Nzegwa (curator, professor SUNY, Binghampton)
Panel: Rinaldo Walcott (cultural theorist, Toronto), George Elliot Clarke (author, professor, North Carolina), Colina Philips (filmmaker, Toronto)
Media Representation and Cultural and National Identities
Saturday, July 12, 3-5pm
African/Black artists reshape and transform the main stream media.
Panel: Charles Quist-Adade (sociologist Windsor), Kwame Dawes (professor of Literature, USA), Palesa Ka Letlaka (filmmaker, South Africa), Donald Byrd (jazz musician/musicologist, Delaware)
The Business of Art and the New Millennium
Sunday, July 13, 3-5pm - Breakfast Roundtable meeting, 9-11:30
Marketing, tax, international copyright, legal and business issues.
Panel: Kofi Hadjor (CATS Management Services, Toronto), Simon Njami (Revue Noire, France), Vince Cannon (business manager, New Mexico), Lyle Ashton Harris (visual artist, Los Angeles)